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The Peel Sessions (1989) Put it this way; I used to listen to this cassette on mornings I had to get up at the asscrack of dawn to go to work at a job I hated, and it woke my sleepy ass up faster than caffeine ever did. Within the first few blasts of noise, I mean songs, yet. And I mean blasts of noise in the best possible way, as this is grind at its purest and most undiluted. The late, great John Peel somehow managed to capture the rawest of the raw in aural form, as this album sounds like it was recorded in a garage, with trashy drums, ultra-grungy downtuned guitar and obscenely fuzzed-out bass, and Lee Dorrian's vokills right in your ear like he's screaming and roaring right next to you. And it is a brilliant representation of what Napalm were about 'back in the day'. From blasts of sound only a few seconds long to (slightly) more coherent attempts at songs, alll the great classic ND stuff is here on display; 'The Kill', 'Lucid Fariytale', 'Instinct of Survival' (featuring Mickey's most deranged whirlwind screams ever), their choice cover of Siege's 'Walls', 'Deceiver' (which blatantly rips off the intro riff of Repulsion's 'The Stench of Burning Flesh'), it is all here, all good, and all GRIND.
Lee sounds like he's demonically possessed here on every tune (he has never done it for me in Cathedral, I have to say, after hearing all this especially), and Mickey's trademark bloodcurdling 'whirlwind screams' will make you cringe in terror. Many (if not most) of these songs sound alike, but at this insanely, impossibly high level of energy and intensity who cares? And this album WILL get your blood rushing, your heart pounding, and you ecstatically screaming your head off every second of the roughest ride you will *ever* experience.
Formed: 1981 in Hackney, London, United Kingdom by Genesis P-Orridge and Peter Christopherson (after Throbbing Gristle ceased to exist) with Alex.
Who cares if you can't understand a word they're saying, this is the best representation of ND you will get at their noisiest and most sense-obliterating and cardiac-arrest-inducing before they toned it down a little in favor of a more metal-influenced direction musically. Get this and know what true devastation is. Their bio: CITIZENS ARREST was a Hardcore band from New York that existed during the late 80's / early 1990's. The band members all met and grew up in the old NYHC CBGBS scene eventually ending up as a band on the lower east side at Abc No Rio. We played tons of shows, kicked ass, recorded a demo, 7' ep and a full length album. Unfortunately the band split up for good due to musical differences but the legend of CXA remains. Members of Citizens Arrest went on to other bands like Taste of Fear,, One Sided War, Funebrarum, Forced Expression, Hell No, Moses etc.
KEEP HARDCORE PUNK ALIVE! Also go read an interview with CxA in this zine from 1989, AND. If you fancy it, read this mammoth interview on (featuring Daryl Kahan of Citizens Arrest). This was a concert video released thru Sonic Death, filmed on January 5th, 1985 in the Mojave Desert.
This was SY's first west coast excursion, and one of the first shows performing the Bad Moon Rising material. It was filmed on 2 cameras by a couple guys from Flipside.
It's actually not quite the entire show -- 'Ghost Bitch' is missing between 'I Love Her All The Time' and 'I'm Insane' (you can see Lee w/ the acoustic guitar momentarily). Lee's write-up: GILA MONSTER JAMBOREE: This gig, January 5, 1985, 100 miles out into the Mojave Desert, was our first 'L.A.' Gig, first time we'd played on the west coast, part of an airplane tour from Seattle on south. That picture of us 'in the back of a Chevy' on the Death Valley '69 12-inch is also from this trip. The gig was organized by one Stuart Sweezy, now of Amok Press (check it out!), who had this penchant for strange locations -- Minutemen and Meat Puppets on a barge on the S.F. Harbor, another desert gig with Einsterzende Neubauten. Your ticket entitled you to a map to the gig site which was not handed out until the morning of the show (to prevent scans).
Else you could buy a place on one of the buses hired to transport those transported souls with better things to do than cope with the road. The gig started early in the day with Psi-Com, which featured a barefoot Perry Farrell skanking in the sand and waxing poetic. Redd Kross followed, and by the time we went on it was about twilight. These songs were mostly brand new at the time, from the as-yet unreleased Bad Moon Rising LP. We'd waited a long time to make it west, and this was a pretty perfect introduction.
Bob Bert was on the drums with us at the time. The cover photo, by someone named Alan Peak, all trails and blurr, sums up the occasion quite well. Band portrait by Naomi Petersen. This video was shot by the folks at Flipside Magazine. After us came the Meat Puppets, who played on into the night as the desert cold set in, under a big ring around the moon. Brother James 2.